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Man: Action!

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Hardy:
Welcome to "Inside Gangs of
London: The Official Podcast."

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00:00:05,600 --> 00:00:07,640
I'm Corin Hardy,
the lead director

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and executive producer of
Season 2 of "Gangs of London."

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And I'll be revealing some
of the key inspirations,

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insider intel,

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and behind-the-scenes secrets
of the show,

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as well as talking
to some very special guests

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about the new season.

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"Gangs of London" Season 2.

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It's a monster.

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It's gonna be brutal.

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It's gonna be filled
with action.

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Msamati:
Death, destruction, power.

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Man: The show must always
feel dangerous,

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the most dangerous show
on television.

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Hardy: Listen and subscribe
to "Inside Gangs of London"

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00:00:32,400 --> 00:00:33,720
wherever you get your podcasts.

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[MARIAN] Sean and Koba
have taken London together.

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[ED]
I will not fight for a London

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where Sean comes out on top.

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[MARIAN]
Sean won't be at the top.

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London belongs to us.

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[SEAN] We want access to
your network and infrastructure.

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We're offering you free rein to
provide all product to London.

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I had information
about the Investors.

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Sean? Sean did this?

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[SHANNON]
I need Sean and Koba dead

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just as much as you do.
Let me help you do it.

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[KOBA] Asif has agreed,
but with some additional terms.

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- No.
- [KOBA] We need Asif on board.

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[GROANING]

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[LALE]
If you want what you claim,

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you must be prepared
to do everything

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without fear, without care.

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This is what it asks of you.

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[LALE SCREAMING]

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[SHIP HORN BLARES]

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[SEAGULLS CAWING]

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[QUIET SUSPENSEFUL MUSIC]

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[ENGINE TICKING OVER]

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[BOAT ENGINE IDLING]

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[DISTANT SHOUTING]

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[EERIE MUSIC]

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[SUSPENSEFUL MUSIC]

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[DRAMATIC MUSIC]

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[PHONE RINGING]

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[PHONE VIBRATING]

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Luan.

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[LUAN] It's done.
We have Asif's heroin.

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All 140 million of it.

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[ELLIOT] You know how it feels
to be powerless.

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To be a pawn
in someone else's game.

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The things it makes you do...

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just to hold on
to some kind of life.

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That's all my dad ever knew.

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Throwing fights for money,
night after night.

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[CHARLIE]
Elliot.

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- What do I always say?
- [Both] Pawns can't be kings.

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[ELLIOT] He was my dad,
so I believed him,

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but it took me years
to understand.

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That's how he found his dignity.

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Ah, Jesus!

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[ELLIOT]
But I... I couldn't accept it.

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- [Distant cheering]
- I needed to know.

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What does it feel like

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to be a king?

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[DEEP BREATH OUT]

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[SCREAM FADES]

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[PHONE VIBRATING]

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- [POLICE RADIOS]
- [SIREN WAILING]

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Hello?

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[MERWAN] Sean,
Asif's shipment was stolen.

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The heroin is gone.
Somebody betrayed us.

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Sean?

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Fuck!

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- Sean, what's going on?
- The heroin's gone.

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All 1.3 fucking tons of it.

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[FOOTSTEPS RUNNING
DOWN STAIRS]

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- Look, it's just one shipment.
- No, no. It's more than that.

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Koba and I made a statement.

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We made it clear London was ours

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and someone just decided
the fuck it wasn't!

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Who knew the routes?

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- Merwan and Koba.
- Right, Merwan, then.

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- Retaliation for Lale.
- No. He doesn't know.

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He doesn't know that...
He doesn't know.

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And he's made peace with us
using Asif's heroin.

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- He knows it's a necessity.
- So Koba?

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Koba has nothing to gain
from weakening our position.

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But he has everything to gain
by weakening yours.

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I am aware of my situation.

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[BILLY]
Sean...

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[SEAN]
Koba. We have a problem...

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Koba and Merwan.

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They aren't the only two people
who know the route.

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- You know it.
- What did you say?

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- I said you know the routes.
- No.

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00:09:25,720 --> 00:09:28,440
You just accused me
of betraying my own son.

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You didn't like the deal
Sean made with Koba.

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You want to see
the Wallaces on top. Singular.

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I'm just asking you if maybe
you aren't being entirely honest

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about which Wallace that is.

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Jesus, Billy!

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I've really failed you,
haven't I?

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[Asif on phone]
We aren't talking days.

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We're talking weeks.

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- Minimum three.
- [KOBA] Fu-u-uck!

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How did you let this happen?

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We didn't let anything happen.

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Someone on your side
betrayed us.

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[ASIF] Or one of you
betrayed the other.

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We need to fix this now, Asif.

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Not in three weeks.
Now.

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[SEAN] This is as much
your problem as it is ours.

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[ASIF]
How so?

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Because of the price I paid you.

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Because I gave you Lale.

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We can't claim a monopoly
on the drugs trade

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if we don't have
any fucking drugs to sell.

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I'm here in Lahore.
There is no product yet.

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What do you want me to do?

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Give me a reason not to send
Merwan and a team of Kurds

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to Lahore
to wipe out you and your family.

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[SEAN]
Clock's ticking, Asif.

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All right.

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I made a delivery
to Bibi Agostini in Paris.

128
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A week ago, maybe.

129
00:11:22,400 --> 00:11:26,120
No way they could have moved
even 20% yet.

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00:11:26,160 --> 00:11:29,200
So we go to Paris and take
the rest from this French fuck.

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Agostini's one of the biggest
players in France.

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You don't take from Agostini.
You make a deal.

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[UPBEAT ALGERIAN MUSIC]

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[BUBBLING]

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[SABA]
What's it about?

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00:11:50,840 --> 00:11:52,640
Here, this is for you.

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00:11:59,720 --> 00:12:02,800
[SABA] Rasha Zidane?
[SCOFFS]

138
00:12:02,840 --> 00:12:05,960
What is this for?

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00:12:06,000 --> 00:12:08,320
[SIGHS] You're going home
for a few days.

140
00:12:11,000 --> 00:12:12,960
Paris? Why?

141
00:12:17,840 --> 00:12:20,040
Koba asked for you again.

142
00:12:20,080 --> 00:12:23,560
Him and Sean Wallace are going
over to make some big deal.

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They want you there
as a translator.

144
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Is this a fucking joke?

145
00:12:28,840 --> 00:12:31,040
You tell me you're going to make
Sean pay for Basem.

146
00:12:31,080 --> 00:12:33,320
And now you want me
to work for him?

147
00:12:43,000 --> 00:12:44,680
You work for me, Saba.

148
00:12:45,560 --> 00:12:47,880
You understand?

149
00:12:47,920 --> 00:12:50,200
So that means you work
for Sean Wallace now.

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00:12:53,400 --> 00:12:54,960
It's the way it goes.

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00:12:57,160 --> 00:12:58,960
Don't look at him, look at me.

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Koba asked for our help.

153
00:13:02,920 --> 00:13:04,600
Hm?

154
00:13:07,880 --> 00:13:10,080
Do you understand me?

155
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[HAKIM]
That's good for us.

156
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[HAKIM]
Saba.

157
00:13:25,400 --> 00:13:26,960
Don't fuck this up.

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[DOOR OPENS]

159
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[DOOR CLOSES]

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[CAR ENGINE STOPS]

161
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We've got Sean
and Koba's heroin.

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00:14:02,240 --> 00:14:06,440
Luan intercepted it, and
we're going to distribute it.

163
00:14:06,480 --> 00:14:10,040
Marian told Dad that Sean
and Koba are going to Paris

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to buy more
from a dealer out there.

165
00:14:12,240 --> 00:14:14,360
When?

166
00:14:14,400 --> 00:14:15,880
- Tomorrow.
- Where?

167
00:14:17,680 --> 00:14:20,840
Where?
Her office?

168
00:14:20,880 --> 00:14:23,880
Club, restaurant,
Agostini's fucking house? Where?

169
00:14:23,920 --> 00:14:25,920
- I don't know. I'll find out.
- Thank you.

170
00:14:28,480 --> 00:14:30,280
Elliot, are you sleeping?

171
00:14:31,680 --> 00:14:33,240
You're not thinking clearly.

172
00:14:33,280 --> 00:14:36,040
After you kill Sean,
what you gonna do?

173
00:14:36,080 --> 00:14:39,760
Look, I want you
to come out of this alive.

174
00:14:39,800 --> 00:14:43,280
When Marian Wallace finds out
her son's dead because of you,

175
00:14:43,320 --> 00:14:44,880
what are you gonna do?

176
00:14:53,400 --> 00:14:58,080
If we do this right, it doesn't
end with Sean and Koba dead.

177
00:15:00,640 --> 00:15:04,240
You and me. We could build
something together.

178
00:15:11,880 --> 00:15:14,160
But if you're not in the right
shape, then we should wait...

179
00:15:14,200 --> 00:15:15,840
They can't cross
international borders

180
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with an army of mercenaries.
They'll be vulnerable out there.

181
00:15:19,240 --> 00:15:22,800
And I got people in Paris.
They won't see me coming.

182
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[ED] We should move on this,
fast. What's our plan?

183
00:15:46,000 --> 00:15:48,400
We need to get ahead
of this Agostini problem.

184
00:15:48,440 --> 00:15:52,400
Luan, contact your men
and get them to move this now.

185
00:15:55,480 --> 00:15:57,600
[BIRDS CAWING]

186
00:16:15,680 --> 00:16:18,480
[MARIAN]
To weaken Koba's position...

187
00:16:18,520 --> 00:16:21,240
we sell to the gangs
for half price.

188
00:16:21,280 --> 00:16:25,120
Flood the market with our heroin
before Sean and Koba do.

189
00:16:25,160 --> 00:16:26,880
- [ED] Agreed.
- [LUAN] Yes.

190
00:16:26,920 --> 00:16:28,840
[MARIAN] Okay.
Let's get to work.

191
00:16:30,000 --> 00:16:32,680
[EERIE MUSIC]

192
00:16:36,960 --> 00:16:39,400
[ENGINE STARTS]

193
00:16:39,440 --> 00:16:40,880
[CAR DOORS SLAM]

194
00:16:42,680 --> 00:16:45,520
[DRAMATIC MUSIC]

195
00:16:53,240 --> 00:16:55,240
[ENGINE STARTS]

196
00:18:11,920 --> 00:18:13,880
[RINGING]

197
00:18:16,560 --> 00:18:17,880
[GUN CLICKS]

198
00:18:24,760 --> 00:18:26,040
The phone.

199
00:18:44,600 --> 00:18:46,320
[PHONE BEEPS]

200
00:18:46,360 --> 00:18:47,960
[RINGING]

201
00:18:48,000 --> 00:18:50,040
[PHONE RINGS]

202
00:18:54,200 --> 00:18:56,320
- Billy?
- It's Luan.

203
00:18:56,360 --> 00:18:58,120
- Billy found the heroin.
- What?

204
00:19:06,440 --> 00:19:08,400
[LUAN]
Marian.

205
00:19:08,440 --> 00:19:10,760
What do you want
me to do with him?

206
00:19:12,720 --> 00:19:14,560
Um...

207
00:19:20,760 --> 00:19:22,280
[LUAN]
Understood.

208
00:19:23,760 --> 00:19:24,960
Get in.

209
00:19:27,400 --> 00:19:30,000
Luan, you can't lock me
in a van filled with heroin.

210
00:19:30,040 --> 00:19:33,120
I'm not. Your mother is.
Get in.

211
00:19:46,720 --> 00:19:50,920
Luan, whatever she's paying you,
Sean will double it.

212
00:19:51,800 --> 00:19:53,760
He'll... He'll double it.

213
00:19:54,480 --> 00:19:56,680
Luan! Luan!

214
00:19:56,720 --> 00:19:59,880
- Please! Please, Luan!
- [BANGING]

215
00:19:59,920 --> 00:20:02,800
Luan, he'll double it.
Don't leave me in here!

216
00:20:02,840 --> 00:20:04,640
Luan!

217
00:20:06,440 --> 00:20:08,600
[CONTAINER DOORS CLOSING]

218
00:20:18,720 --> 00:20:21,800
[YELLING] Please! Luan!

219
00:20:24,760 --> 00:20:27,320
[BELL TOLLING]

220
00:20:46,680 --> 00:20:49,000
Beautiful city.

221
00:20:49,040 --> 00:20:52,000
- Nice to be home?
- I'm from Saint Denis.

222
00:20:52,040 --> 00:20:53,960
This is no more my home
than Buckingham Palace.

223
00:20:59,600 --> 00:21:01,640
Regarde les pâtisseries!

224
00:21:23,000 --> 00:21:25,080
[QUIET SUSPENSEFUL MUSIC]

225
00:21:28,520 --> 00:21:31,600
[MUFFLED VOICE ON POLICE RADIO]

226
00:21:34,520 --> 00:21:36,520
[CLASSICAL MUSIC
PLAYING SOFTLY]

227
00:21:36,560 --> 00:21:38,080
Merci.

228
00:21:54,640 --> 00:21:56,000
Merci.

229
00:21:56,520 --> 00:21:57,960
Merci.

230
00:21:59,400 --> 00:22:00,280
[KOBA]
Merci.

231
00:22:10,560 --> 00:22:12,120
Bibi Agostini.

232
00:22:15,400 --> 00:22:18,560
[BIBI SPEAKING IN FRENCH]

233
00:22:18,600 --> 00:22:20,720
[SABA TRANSLATING]
We can order. It's her place.

234
00:22:24,880 --> 00:22:28,560
[CHUCKLES]
Well, Bibi, it's a pleasure.

235
00:22:28,600 --> 00:22:30,400
I believe you know
why we're here?

236
00:22:30,440 --> 00:22:36,280
[BIBI SPEAKING IN FRENCH]

237
00:22:36,320 --> 00:22:38,280
Someone stole your heroin
and you'd like some of hers

238
00:22:38,320 --> 00:22:42,960
- to replace it?
- So, how about it?

239
00:22:43,000 --> 00:22:49,040
- [BIBI SPEAKING IN FRENCH]
- [SABA] I don't like waste.

240
00:22:49,080 --> 00:22:51,280
[SABA]
So I only order what I need.

241
00:22:51,320 --> 00:22:52,800
[BIBI CONTINUES
SPEAKING IN FRENCH]

242
00:22:52,840 --> 00:22:54,600
[SABA]
Which means I need what I order.

243
00:22:54,640 --> 00:22:56,800
It's a temporary measure. We'll
replace it before you miss it.

244
00:22:56,840 --> 00:23:00,640
[BIBI CONTINUES
SPEAKING IN FRENCH]

245
00:23:00,680 --> 00:23:02,680
Unless they steal the next load.

246
00:23:07,680 --> 00:23:11,240
- [BIBI LAUGHS]
- Is that it, then?

247
00:23:11,280 --> 00:23:13,320
- Hm?
- [SEAN]  Au revoir.

248
00:23:16,720 --> 00:23:21,600
[BIBI SPEAKING IN FRENCH]

249
00:23:21,640 --> 00:23:24,720
Finn Wallace would have burned
this place down if he was here.

250
00:23:24,760 --> 00:23:26,880
That sounds like him.

251
00:23:26,920 --> 00:23:30,400
[BIBI CONTINUES
SPEAKING IN FRENCH]

252
00:23:34,680 --> 00:23:38,080
After spending an hour
trying to fuck her.

253
00:23:38,120 --> 00:23:41,760
That definitely sounds like him.
Luckily, I take after my mother.

254
00:23:43,120 --> 00:23:45,240
[BIBI]
Not too much, I hope.

255
00:23:45,280 --> 00:23:50,400
So... [CONTINUES
SPEAKING IN FRENCH]

256
00:23:50,440 --> 00:23:52,240
The heroin.
How much do you want?

257
00:23:52,280 --> 00:23:55,480
How much are you willing to pay?

258
00:23:55,520 --> 00:23:58,360
We want half of it,
and we're paying nothing.

259
00:23:59,800 --> 00:24:02,120
[BIBI SPEAKING IN FRENCH]

260
00:24:02,160 --> 00:24:04,760
It must be my birthday.

261
00:24:04,800 --> 00:24:07,400
[SEAN]
We're proposing a partnership.

262
00:24:07,440 --> 00:24:09,800
Our cities have never
worked together.

263
00:24:09,840 --> 00:24:12,720
[SABA TRANSLATES]

264
00:24:16,800 --> 00:24:18,520
[SEAN]
We have no pay masters.

265
00:24:18,560 --> 00:24:21,000
[SABA TRANSLATES]

266
00:24:21,040 --> 00:24:22,520
It's an advanced system

267
00:24:22,560 --> 00:24:25,000
that sees the money
flow faster, one way.

268
00:24:25,040 --> 00:24:29,040
[SABA TRANSLATES]

269
00:24:29,080 --> 00:24:32,120
We own the ports, the routes
and the infrastructure.

270
00:24:32,160 --> 00:24:36,760
[SABA TRANSLATES]

271
00:24:42,360 --> 00:24:44,400
[BIBI SPEAKING IN FRENCH]

272
00:24:44,440 --> 00:24:46,440
[SABA]
She needs to be somewhere.

273
00:24:49,520 --> 00:24:55,600
[BIBI CONTINUES
SPEAKING IN FRENCH]

274
00:24:55,640 --> 00:24:59,920
We can meet in VIP
at her club, 9pm. Talk more.

275
00:24:59,960 --> 00:25:01,520
[BIBI]
Okay?

276
00:25:06,680 --> 00:25:08,120
Bibi.

277
00:25:09,920 --> 00:25:12,160
[KOBA]
Look forward to talking more.

278
00:25:12,880 --> 00:25:14,440
It's a pleasure.

279
00:25:16,120 --> 00:25:17,560
[BIBI]
Nice to meet you.

280
00:25:35,320 --> 00:25:41,320
[BIBI SPEAKING IN FRENCH]

281
00:25:44,000 --> 00:25:46,080
- [SEAN] I like her.
- [KOBA] Hm.

282
00:25:47,360 --> 00:25:49,440
Let's see what she wants
in return.

283
00:26:14,280 --> 00:26:16,480
[KOBA]
Me and Sean need to talk.

284
00:26:16,520 --> 00:26:19,640
You go see your old friends
but be there 8:30.

285
00:26:19,680 --> 00:26:21,440
Don't be late, Saba.

286
00:27:01,240 --> 00:27:03,000
You fucking liar.

287
00:27:05,280 --> 00:27:07,360
I'm doing this for Sean.

288
00:27:09,240 --> 00:27:12,680
Bullshit. That's bullshit.

289
00:27:12,720 --> 00:27:15,200
Sean's deal with Koba
ends one way.

290
00:27:15,240 --> 00:27:18,560
Sean dead
and Koba on top.

291
00:27:18,600 --> 00:27:20,480
And the Wallaces
consigned to history.

292
00:27:20,520 --> 00:27:22,440
I am not prepared to stand back
and let that happen.

293
00:27:22,480 --> 00:27:24,320
That's bollocks!

294
00:27:27,040 --> 00:27:28,640
Want to know what I think?

295
00:27:30,360 --> 00:27:32,360
I think we've found
your addiction.

296
00:27:33,440 --> 00:27:36,960
Power.

297
00:27:37,000 --> 00:27:40,440
When Sean was dead, you thought
you'd be the Wallace on top.

298
00:27:40,480 --> 00:27:42,480
You thought
it was finally your turn.

299
00:27:44,480 --> 00:27:46,280
But since he came back, it's
fucked everything up for you,

300
00:27:46,320 --> 00:27:48,080
hasn't it?

301
00:27:50,320 --> 00:27:52,320
You wish he'd never
come back at all.

302
00:27:52,360 --> 00:27:54,360
[SLAP]

303
00:27:55,120 --> 00:27:56,840
[BILLY GROANS]

304
00:27:56,880 --> 00:27:59,360
[DRAMATIC MUSIC]

305
00:28:07,040 --> 00:28:09,600
You don't have the answer
for everything, Billy.

306
00:28:21,520 --> 00:28:24,120
You cannot keep him
locked in there forever.

307
00:28:24,160 --> 00:28:26,200
- Then we'd better move fast.
- Marian!

308
00:28:27,960 --> 00:28:29,960
- Marian!
- [Engine starts]

309
00:28:36,560 --> 00:28:40,360
[♪ "RUBY SOHO", RANCID]

310
00:28:40,400 --> 00:28:43,680
[MUSIC CONTINUES
THROUGH HEADPHONES]

311
00:28:45,360 --> 00:28:51,040
♪ Two lovers in the bedroom
Then the other starts to shout

312
00:28:51,080 --> 00:28:53,880
♪ All I got is this blank star

313
00:28:53,920 --> 00:28:56,640
♪ And that don't carry
no clout at all

314
00:28:56,680 --> 00:28:59,600
- ♪ Destination unknown...
- [SABA] What the fuck?

315
00:29:02,080 --> 00:29:04,640
- No, fuck!
- Aargh!

316
00:29:06,080 --> 00:29:07,600
Remember me?

317
00:29:08,600 --> 00:29:10,680
From the fish market.

318
00:29:13,400 --> 00:29:16,520
You know me. I got you out
of there, remember?

319
00:29:16,560 --> 00:29:18,680
Yeah. But you work with Koba.

320
00:29:18,720 --> 00:29:20,560
- I came with him.
- No, no!

321
00:29:20,600 --> 00:29:23,200
I'm here to kill Koba and Sean.

322
00:29:24,240 --> 00:29:26,200
I need you to help me do it.

323
00:29:27,640 --> 00:29:29,680
Sean killed Basem that night.

324
00:29:29,720 --> 00:29:31,400
I know you want him dead
as well.

325
00:29:32,600 --> 00:29:34,960
Just leave me alone.

326
00:29:35,000 --> 00:29:37,600
Why won't you all
just leave me the fuck alone?

327
00:29:37,640 --> 00:29:42,440
Sean and Koba
have their teeth in you.

328
00:29:42,480 --> 00:29:46,800
And they will not let you go.
Ever! They own you now.

329
00:29:55,880 --> 00:29:57,760
What do you need?

330
00:29:59,640 --> 00:30:03,760
Just tell me what they're doing,
where and when.

331
00:30:05,000 --> 00:30:07,120
I don't know about today,

332
00:30:07,160 --> 00:30:11,000
but tonight we're meeting in
a VIP room in Agostini's club.

333
00:30:11,040 --> 00:30:12,800
It's in the Asian Quarter.
That's all I know.

334
00:30:12,840 --> 00:30:15,280
- When?
- 9pm.

335
00:30:33,360 --> 00:30:34,920
You want me to carry a gun?

336
00:30:34,960 --> 00:30:36,800
[ELLIOT]
Listen to me.

337
00:30:39,680 --> 00:30:41,680
If you don't carry one now,

338
00:30:41,720 --> 00:30:43,680
you'll be carrying one
for the rest of your life.

339
00:30:48,200 --> 00:30:49,800
[THUD]

340
00:31:04,680 --> 00:31:07,000
- [MUSIC BLARING]
- [BACKGROUND CHATTER]

341
00:31:16,000 --> 00:31:17,160
Merci.

342
00:31:18,880 --> 00:31:21,720
- Bonsoir.
- Welcome, gentlemen.

343
00:31:23,080 --> 00:31:25,360
I'm with them.

344
00:31:25,400 --> 00:31:27,840
Can I look at your bag, please?

345
00:31:27,880 --> 00:31:29,520
I just came in
with these people.

346
00:31:31,080 --> 00:31:32,120
Bag.

347
00:31:47,200 --> 00:31:50,160
- [TAMAZ] Sean.
- [SEAN] Hey.

348
00:31:50,200 --> 00:31:51,760
She's with us.

349
00:32:07,720 --> 00:32:09,560
Go right this way.

350
00:32:22,440 --> 00:32:24,920
[MUSIC POUNDING]

351
00:32:29,800 --> 00:32:32,760
Saba, you did well with Bibi.

352
00:32:34,320 --> 00:32:36,880
Hid your nerves, opinions.

353
00:32:38,680 --> 00:32:41,320
You're a smart kid, strong.

354
00:32:43,520 --> 00:32:46,320
You don't see that you want it
yet, but your future,

355
00:32:46,360 --> 00:32:48,120
you could go far.

356
00:32:55,720 --> 00:32:57,840
I need to use the bathroom.

357
00:33:01,600 --> 00:33:02,880
Go on.

358
00:33:07,520 --> 00:33:09,000
Don't be long.

359
00:33:46,760 --> 00:33:48,320
[LAUGHTER AND CHATTER]

360
00:34:01,680 --> 00:34:04,200
[SUSPENSEFUL MUSIC]

361
00:34:26,360 --> 00:34:28,040
She used to fuck your father,

362
00:34:28,080 --> 00:34:29,760
so you should take
the lead on this.

363
00:34:29,800 --> 00:34:31,600
Hm. Yeah.

364
00:34:31,640 --> 00:34:33,720
[VOICE ON RADIO]

365
00:34:37,920 --> 00:34:41,040
Bibi's VIP room
is ready for you.

366
00:34:41,080 --> 00:34:43,720
Time to go.
Tamaz, go and find Saba.

367
00:34:48,680 --> 00:34:50,440
I think this is a good sign.

368
00:34:50,480 --> 00:34:52,120
[SEAN]
Yeah.

369
00:35:10,720 --> 00:35:12,320
- [BANGS ON DOOR]
- Saba!

370
00:35:14,040 --> 00:35:16,320
- [BANGING]
- Saba?

371
00:35:20,720 --> 00:35:22,440
Saba!

372
00:35:22,480 --> 00:35:24,120
What the fuck, man?
Get out of here!

373
00:35:24,760 --> 00:35:26,040
Come.

374
00:35:26,080 --> 00:35:27,560
Give me one second.
I'm coming.

375
00:35:27,600 --> 00:35:28,440
- Come on.
- Get out.

376
00:35:28,480 --> 00:35:29,640
Be quick.

377
00:35:41,000 --> 00:35:42,520
[PHONE BUZZES]

378
00:36:51,360 --> 00:36:53,840
[DRAMATIC MUSIC]

379
00:36:55,960 --> 00:36:58,040
- [LAUGHTER]
- [MUSIC BLARING]

380
00:37:00,040 --> 00:37:03,080
[WOMAN SINGING]

381
00:37:06,960 --> 00:37:09,760
[SEAN]
Karaoke?

382
00:37:09,800 --> 00:37:12,880
We're discussing business over
a group rendition of "Hey Jude"?

383
00:37:12,920 --> 00:37:15,360
Saba, translate.

384
00:37:15,400 --> 00:37:18,360
[SABA TRANSLATES]

385
00:37:18,400 --> 00:37:20,760
[Bibi laughing]
Welcome.

386
00:37:20,800 --> 00:37:22,960
[BIBI SPEAKING IN FRENCH]

387
00:37:27,440 --> 00:37:29,320
[SABA]
These are her friends.

388
00:37:29,360 --> 00:37:30,880
They will look after us
this evening.

389
00:37:30,920 --> 00:37:35,280
[BIBI SPEAKING IN FRENCH]

390
00:37:35,320 --> 00:37:39,080
[SABA] And the room's swept
so we can talk freely here.

391
00:37:39,120 --> 00:37:42,880
♪ Moonlight, starlight
I need you... ♪

392
00:37:49,680 --> 00:37:51,880
Saba.

393
00:37:51,920 --> 00:37:53,600
[BIBI SPEAKING IN FRENCH]

394
00:37:53,640 --> 00:37:54,840
Salut.

395
00:37:54,880 --> 00:37:57,120
- Salut.
- Gaumarjos.

396
00:37:57,160 --> 00:37:58,680
[BIBI]
Gaumarjos.

397
00:38:03,200 --> 00:38:04,920
[MAN SHOUTS]

398
00:38:28,680 --> 00:38:30,560
[INDISTINCT SPEECH IN KOREAN]

399
00:38:49,720 --> 00:38:52,040
[ELEVATOR PINGS]

400
00:39:04,040 --> 00:39:06,840
♪ For you
Stay the night... ♪

401
00:39:06,880 --> 00:39:10,120
[KOBA] Bribing officials
is hit and miss.

402
00:39:10,160 --> 00:39:14,160
We put them on a retainer.
So we own the ports...

403
00:39:14,200 --> 00:39:18,760
[SABA TRANSLATES]

404
00:39:25,680 --> 00:39:27,360
Hm.

405
00:39:27,400 --> 00:39:29,400
[BIBI SPEAKING IN FRENCH]

406
00:39:32,560 --> 00:39:38,000
[BIBI CONTINUES
SPEAKING IN FRENCH]

407
00:39:38,040 --> 00:39:39,800
The ports interest me.

408
00:39:39,840 --> 00:39:42,160
Drug trafficking is a big part
of our business

409
00:39:42,200 --> 00:39:44,920
but we have other interests
when it comes to traffic.

410
00:39:44,960 --> 00:39:46,640
Guns?

411
00:39:47,880 --> 00:39:49,320
People.

412
00:39:54,800 --> 00:39:55,720
[ELEVATOR PINGS]

413
00:40:05,600 --> 00:40:07,720
[Karaoke singers]
♪ ..with you I lose my mind

414
00:40:07,760 --> 00:40:11,520
♪ Give me a sign

415
00:40:11,560 --> 00:40:14,360
♪ Hit me, baby, one more time

416
00:40:15,920 --> 00:40:18,400
[SINGING BALLAD]

417
00:40:30,720 --> 00:40:32,360
[SINGING FADES]

418
00:40:43,800 --> 00:40:46,440
[♪ "HIT ME, BABY" MUFFLED]

419
00:41:09,640 --> 00:41:11,760
[SABA] Our fastest growing
revenue stream

420
00:41:11,800 --> 00:41:13,520
is people traffic.

421
00:41:13,560 --> 00:41:20,400
[BIBI SPEAKING IN FRENCH]

422
00:41:20,440 --> 00:41:21,920
[SABA]
Our biggest limit to growth,

423
00:41:21,960 --> 00:41:24,400
is our inability to access
the UK market.

424
00:41:24,440 --> 00:41:27,240
[BIBI SPEAKING IN FRENCH]

425
00:41:27,280 --> 00:41:29,720
[SABA] Allow us
to move people in the UK.

426
00:41:29,760 --> 00:41:32,400
[BIBI]
Your father always refused,

427
00:41:32,440 --> 00:41:36,320
but if you agree to moving
my girls around then...

428
00:41:37,760 --> 00:41:39,920
maybe...

429
00:41:39,960 --> 00:41:41,920
maybe we have a deal.

430
00:41:41,960 --> 00:41:45,120
[Karaoke singer] ♪ I don't w
lose your love tonight... ♪

431
00:41:49,160 --> 00:41:51,040
What do you say, Sean?

432
00:41:57,040 --> 00:41:59,000
[KOBA]
Well, Sean?

433
00:42:12,120 --> 00:42:13,760
We can arrange that.

434
00:42:16,840 --> 00:42:19,720
Then you will have your heroin
and a new business partner.

435
00:42:19,760 --> 00:42:21,200
Bibi.

436
00:42:21,240 --> 00:42:23,560
[KOBA]
Beautiful. Wow.

437
00:43:07,000 --> 00:43:08,640
[GRUNTS]

438
00:43:09,600 --> 00:43:11,920
[SHOUTING]

439
00:43:22,800 --> 00:43:24,720
[CHATTER]

440
00:43:30,000 --> 00:43:31,800
Aargh!

441
00:43:37,800 --> 00:43:39,520
[YELLING AND GROANING]

442
00:43:51,160 --> 00:43:53,320
[GASPING]

443
00:43:54,160 --> 00:43:56,720
[WOMEN SCREAMING]

444
00:44:01,800 --> 00:44:03,840
[MAN SHOUTS OUT]

445
00:44:05,000 --> 00:44:06,080
[SHOUTS OUT]

446
00:44:07,280 --> 00:44:08,800
Where are they?

447
00:44:08,840 --> 00:44:11,400
[BIBI AND SEAN LAUGHING]

448
00:44:11,440 --> 00:44:13,080
[SEAN]
Let's get the champagne.

449
00:44:13,120 --> 00:44:15,360
[SUDDEN BURST OF EERIE MUSIC]

450
00:44:19,520 --> 00:44:21,720
[BIBI SPEAKING IN FRENCH]

451
00:44:25,040 --> 00:44:27,680
[KOBA]
We can see the sights.

452
00:44:27,720 --> 00:44:29,240
[SEAN]
Hands across the Channel.

453
00:44:30,160 --> 00:44:32,160
- Salut.
- Cheers.

454
00:44:42,120 --> 00:44:44,360
What's going on?

455
00:44:45,680 --> 00:44:46,680
What's going on?

456
00:44:46,720 --> 00:44:48,000
There's a gunman
in the building.

457
00:44:48,040 --> 00:44:50,600
Security have been attacked
in the VIP room.

458
00:44:50,640 --> 00:44:52,640
I thought this was
the fucking VIP room.

459
00:44:52,680 --> 00:44:54,640
[BIBI]
It is my VIP room.

460
00:44:59,240 --> 00:45:00,920
Please.

461
00:45:04,240 --> 00:45:06,600
[GASPS AND WHIMPERS]

462
00:45:12,280 --> 00:45:14,640
[GUNFIRE]

463
00:45:15,760 --> 00:45:17,520
[SCREAMING]

464
00:45:21,800 --> 00:45:23,640
[PANICKED CRIES]

465
00:45:29,760 --> 00:45:31,640
[WOMAN SOBBING]

466
00:45:43,880 --> 00:45:45,200
[GROAN]

467
00:46:00,960 --> 00:46:02,320
Shit!

468
00:46:03,920 --> 00:46:06,120
[SCREAMING]

469
00:46:23,280 --> 00:46:24,760
[MUSIC POUNDING]

470
00:47:02,400 --> 00:47:04,720
[GROANING AND GASPING]

471
00:47:31,760 --> 00:47:33,440
[ELEVATOR PINGS]

472
00:47:36,160 --> 00:47:38,840
[GROANING]

473
00:47:44,080 --> 00:47:45,760
Aargh.

474
00:47:57,480 --> 00:47:59,480
[BIBI CLEARS HER THROAT]

475
00:48:02,600 --> 00:48:04,040
Sean..

476
00:48:06,080 --> 00:48:07,840
Do you know this man?

477
00:48:10,480 --> 00:48:13,680
Don't lie. I know.

478
00:48:14,480 --> 00:48:15,720
Yeah.

479
00:48:31,520 --> 00:48:32,880
- Fuck's sake!
- Go!

480
00:48:34,560 --> 00:48:36,720
- [Door closes]
- Oh.

481
00:48:42,160 --> 00:48:43,400
[ELEVATOR PINGS]

482
00:48:45,160 --> 00:48:47,160
[GUNFIRE]

483
00:49:02,920 --> 00:49:04,760
[MEN SHOUTING]

484
00:49:04,800 --> 00:49:06,680
[PANICKED CRIES]

485
00:49:39,160 --> 00:49:41,080
What happened?
Whoa!

486
00:49:41,120 --> 00:49:43,000
- Where's the girl?
- Fuck!

487
00:49:49,880 --> 00:49:51,560
Give me your phone.

488
00:49:57,040 --> 00:49:59,120
Come on.

489
00:50:01,360 --> 00:50:02,960
Look at it.

490
00:50:03,000 --> 00:50:04,480
Look at it.

491
00:50:10,560 --> 00:50:12,200
"Wrong room. Abort."

492
00:50:13,880 --> 00:50:15,880
You're working with Elliot?

493
00:50:17,320 --> 00:50:19,960
[WHIMPERING]

494
00:50:20,000 --> 00:50:22,720
Who else are you
fucking working with? Hm?

495
00:50:22,760 --> 00:50:25,240
No one. Just him.

496
00:50:25,280 --> 00:50:27,280
I don't expect
to have to ask twice.

497
00:50:27,320 --> 00:50:29,480
[YELLING] Who else
are you fucking working with?

498
00:50:29,520 --> 00:50:33,800
[CRYING] I swear to you.
I don't even know him.

499
00:50:33,840 --> 00:50:35,440
I don't even know the fucking...

500
00:50:38,000 --> 00:50:40,560
Please. Please.

501
00:50:40,600 --> 00:50:42,600
Sean. Not here.

502
00:50:46,520 --> 00:50:48,920
Our heroin's stolen,

503
00:50:48,960 --> 00:50:51,920
an attempt made
on our life in two days.

504
00:50:54,480 --> 00:50:56,360
We have a traitor.

505
00:50:58,280 --> 00:51:02,960
Believe me, she's going
to tell me who the fuck it is.

506
00:51:11,200 --> 00:51:13,040
Fucking English!

507
00:51:14,280 --> 00:51:15,960
[ELEVATOR PINGS]

508
00:51:18,480 --> 00:51:21,240
[SUSPENSEFUL MUSIC]

509
00:51:36,080 --> 00:51:37,960
[PHONE BUZZING]

510
00:51:47,240 --> 00:51:49,200
[ELLIOT] It's fucked, Shannon!
It's fucked!

511
00:51:49,240 --> 00:51:51,720
Sean will know by now it was me.
He'll trace that back to you.

512
00:51:51,760 --> 00:51:54,080
You got to get Danny and run.

513
00:51:55,280 --> 00:51:57,760
I'm not going anywhere.

514
00:51:57,800 --> 00:51:59,800
No. Shannon, I'll fix it.
I promise.

515
00:51:59,840 --> 00:52:02,120
I just need to figure out how.

516
00:52:03,600 --> 00:52:07,120
I know how. Elliot, I know
how you can get to Sean.

517
00:52:08,400 --> 00:52:10,480
Tonight.

518
00:52:31,040 --> 00:52:33,680
Do you believe there are
any rules in this world?

519
00:52:36,240 --> 00:52:37,960
I only know one.

520
00:52:44,520 --> 00:52:49,200
People suffer because they mean
nothing to the powerful.

521
00:52:50,360 --> 00:52:51,720
My dad.

522
00:52:53,000 --> 00:52:56,880
You.
It's all the same world.

523
00:52:56,920 --> 00:52:59,720
They don't even
feel like sacrifices.

524
00:52:59,760 --> 00:53:02,480
They just mean nothing.

525
00:53:05,920 --> 00:53:07,960
Tell me I'm wrong.

526
00:53:08,000 --> 00:53:09,680
Tell me they pay for their sins.

527
00:53:12,760 --> 00:53:15,880
I want them to know fear.

528
00:53:18,000 --> 00:53:20,120
To be powerless.

529
00:53:21,680 --> 00:53:24,440
To feel it in their bones.

530
00:53:27,640 --> 00:53:30,160
[EERIE MUSIC]

531
00:53:33,440 --> 00:53:35,480
[FOOTSTEPS APPROACHING]

532
00:53:35,520 --> 00:53:39,720
But how do you do that? Hm?

533
00:53:43,120 --> 00:53:48,560
How do you turn
a king into a pawn?

534
00:53:57,360 --> 00:53:59,160
[HEAVY, METALLIC SCRAPING]

535
00:54:17,840 --> 00:54:20,560
It was going well until
Elliot stormed the building

536
00:54:20,600 --> 00:54:22,280
in an attempt to assassinate us.

537
00:54:27,640 --> 00:54:29,400
[SEAN SIGHS]

538
00:54:31,440 --> 00:54:33,640
Somehow he knew
we were in Paris.

539
00:54:43,280 --> 00:54:45,920
[DISCORDANT MUSIC]

540
00:54:47,680 --> 00:54:50,960
We have a traitor, Mum,

541
00:54:51,000 --> 00:54:53,600
one with inside knowledge
of the routes and the meeting.

542
00:54:53,640 --> 00:54:55,280
[KNOCKING]

543
00:55:02,840 --> 00:55:04,920
[KNOCKING]

544
00:55:09,640 --> 00:55:11,040
[KNOCKING]

545
00:55:29,800 --> 00:55:31,400
[DOOR CLOSES]

546
00:55:34,840 --> 00:55:36,600
[SEAN]
Who sent Elliot to Paris?

547
00:55:39,440 --> 00:55:42,400
Clearly the Algerian girl
was working with him.

548
00:55:44,320 --> 00:55:47,520
But how could they know
we'd be there? Hm?

549
00:55:51,760 --> 00:55:55,040
Mum,
do you have anything to say?

550
00:56:02,240 --> 00:56:03,800
Mum?

551
00:56:13,200 --> 00:56:14,240
Well?

552
00:56:18,120 --> 00:56:19,720
Sean.

553
00:56:38,720 --> 00:56:40,240
Sean.

554
00:56:55,880 --> 00:56:58,000
[SOUND DISTORTING]

555
00:57:06,960 --> 00:57:08,160
[MARIAN]
Sean.

556
00:57:08,920 --> 00:57:11,440
[DRAMATIC MUSIC]